ABOUT DANIELLE FOUSHEE

I am an artist. This website features my work and highlights some of the varied
inspirations that inform my creative practice. Read more about me here.

Check out my facebook page or follow me on twitter at
@ArtistDFoushee.

Thursday, December 11, 2008

Cranbrook Graduate Show 2008

I love this... Pattern on pattern, repurposed and loud, yet somehow blending together homogeneously.

I can’t sleep tonight, so I’ve been looking around online. I found someone’s Flickr collection of images from the 2008 Cranbrook Degree Show. Since Cranbrook is my alma mater (MFA 2-d Design), I am always interested to see what’s going on up there. The Flickr images don’t have any credits for the work, which is kind-of a bummer.

I’m not sure why, but over the past months (years?), I’ve found more inspiration looking at the work coming out of disciplines other than design. That’s not to say there aren’t interesting things going on within my own discipline, but there’s something special about studying a variety of visual ideas.

As designers, perhaps it’s even more essential that we become curious about everything around us.

Is this some sort of representation of a 19th-Century massage table, or torture device? I can’t tell.

I’m not sure how I feel about this one. There’s something appealing about it (the colors? the repetition?), but yet somehow it's simultaneously off-putting.

Monday, December 8, 2008

I Dreamt of Things...

I dreamt that I was attacked by a big black raven in a small, dark, musty, old staircase with faded blue carpeting.

Perhaps this dream came to me because I mentioned to Matt last night as we watched the Baltimore Ravens in a football game, “They are called the Ravens because Edgar Allen Poe lived in Baltimore.” Matt replied, “Uh-huh.”

Sunday, December 7, 2008

Word of the Week — HERALD

Each week, I close my eyes and choose a random word from the dictionary. I then do an image search for that word online, and choose some of the most interesting, unusual, and unexpected results to share with you.



Thursday, December 4, 2008

My New Small Paintings

Wave. 5.5 x 4 inches. Ink and Acrylic on Paper.

I’ve been working on a variety of new projects, and (as promised) would like to share a few of my favorite recent small paintings with you. Please visit my Etsy site to purchase prints. I hope you like them.

Moon Light. 9.5 x 7 inches. Ink and Acrylic on Paper.

Bulb. 7 x 9.5 inches. Ink and Acrylic on Paper.

Sunday, November 30, 2008

Word of the Week — LIP

Each week, I close my eyes and choose a random word from the dictionary. I then do an image search for that word online, and choose some of the most interesting, unusual, and unexpected results to share with you.



Monday, November 24, 2008

Terry Winters’ Drawings & Paintings

Point

Terry Winters is known for his drawings, paintings, and prints. He was born in Brooklyn in 1949. What I love about his work is its diversity of style and medium... He is inspired by anatomic and biological forms, as well as the geometries of architecture. I love the varied color palettes he uses and I’m always moved by work that celebrates human imperfection.

Red Group 8

Computational Architecture

Morula III

Saturday, November 15, 2008

Los Angeles Architecture Tour

On Thursday, a few of my colleagues from FIDM and myself went on an architectural tour of Los Angeles. It was awe-inspiring!

The first building we visited was the new CalTrans building in downtown LA. I loved that the architect, Thom Mayne of Morphosis, chose to use mostly building materials that are associated with transportation infrastructure, and allowed these materials to become sculptural elements that are raised to the level of art... whereas these features are often simply functional and go unnoticed in their original environments on freeways and overpasses, etc. This building is located at the intersection of 100 Main Street and 100 First Street in downtown, so the huge (4-story) number really becomes a great landmark.

After the CalTrans building, we saw the 19th century Bradbury Building, also in downtown. The interior of the Bradbury building was like a very ornamental Escher drawing, with staircases floating through the interior. I also loved the elevator shafts that were out in the open, with amazing decorative iron work. My photos didn't really come out, because it was too dark in the space...

Later, we visited Richard Neutra’s home in Silverlake, which was in terrible disrepair. I was disappointed, actually... but then we were able to see Neutra’s masterpiece, the Lovell Health House (above), where the current owner/occupant showed us around. The funniest thing about it was when we walked in, many of us immediately recognized it as Pierce Pratchett’s house in the movie LA Confidential.

After lunch, we drove to Santa Monica, where we were able to snoop around the exterior of the house where Frank Gehry currently lives. Pictured is the area where the dining room is located. You could see the original Dutch Colonial home underneath all the geometric protrusions and additions that jut out from the original structure.

We also visited the Case Study House #8, the house built and lived-in by Charles and Ray Eames in Pacific Palisades. The house is left exactly as it was when Ray Eames passed away in the 1980s. They wouldn’t allow us to take photos of the interiors... but the contradiction of the interior space to the exterior is what I found most interesting. The boxy, clean modernist style of the construction was juxtaposed against a multitude of items and nic-nacks that cluttered the house.

Thursday, November 6, 2008

Mari Andrews Sculpture & Drawings

Plexus. Color softground etching on
Hosho paper coated in beeswax. 1998.

Mari Andrews is a California artist who is inspired by her lifelong passion for drawing and collecting to create small sculptures built from wire, pine needles, branches, and other linear materials. Many times her small sculptures are grouped together on a large gallery wall in a narrative way.

I’m inspired by this work’s simplicity. I appreciate the imperfections in the materials, the compositions are so natural and have a spontaneity that is refreshing. As a graphic designer, it’s so difficult to make work that seems effortless, whether it’s in my commercial work or my paintings, so that makes Ms. Andrews’ work that much more impressive!

These are beautiful!

Imbricate. Color softground etching on
Hosho paper coated in beeswax. 1998.


Untitled 1318. Baseball and wire. 2006.

Untitled 1216. Wire and tree moss. 2003.

Tuesday, November 4, 2008

Dusk in Los Angeles

I was in Los Angeles a couple weeks ago, and completely forgot to download some of my photos until now... Matt and I got lucky and scored a room on the top floor of the hotel, just across the street from the new L.A. Live complex and Staples Center. I opened the curtains at dusk to begin my yoga practice, but instead I was stunned by the beauty of the scene out the window.

Monday, November 3, 2008

Word of the Week — NUMB

Autumn leaves

Each week, I close my eyes and choose a random word from the dictionary. I then do an image search for that word online, and choose some of the most interesting, unusual, and unexpected results to share with you.

Polar Bear

Book Cover for The Good Soldier: A Tale of Passion

Stella Im Hultberg, Numb. 6x8 inches. Graphite & Ink Wash on Paper.

Photo from deviantart.com

Saturday, November 1, 2008

Strip Mining Conundrum

Every time I fly from Colorado to Los Angeles, I’m always fascinated by the aerial views of the western landscape. Desert valleys are often surrounded by snowy peaks, dry riverbeds and washes streak across the land creating spectacular webs of light and shadow as far as the eye can see. Canyons slice into the earth, and rock formations protrude upward toward the sky. I’ve been working on a series of paintings that are inspired by these wonderful aerial views over the American west.

Yesterday, I came across these aerial photographs of strip mining in the Nevada desert, posted by a geologist in Arizona. I think there is something quite paradoxical about them, which is why I wanted to show them to you. Of course, we need natural resources to support human civilization. I don’t know anything about mining or geology, but my intuition says that this type of mining can’t possibly be good, or even neutral, for the environment. My rational mind tells me that there has to be another way to extract these essential resources from the earth without completely ripping up the land and poisoning what little water is available there.

On the other hand, as I look at these images, I’m struck by their beauty. There is something quite graphic about the way the mining process leaves large steps leading down into the earth. The light and shadows bounce over the landscape in beautiful organic shapes, and the earthtones radiate into the atmosphere. I’m especially in awe of the image above, where geometric farming plots abut the edge of the mine property. I wonder about the environmental and health implications of that.

Somehow I’m still inspired by the scale and beauty of these places, despite what I know must be horrible for the local land, plants, and animals. . . Not to mention what kinds of effects there are on the human residents of the area. I have no idea.

Friday, October 31, 2008

White on White

White on White No. 1, 2000
Here are some studies I worked on as I was formulating my current painting process. I love surfaces that bubble up and grow out of the flatness of a page or canvas. I wanted to create a surface that really augments the highlights and shadows created by light, without pigment, just white on white. Recently I've been doing a lot of these with bright colors, but I have plans to revisit the low contrast palettes that are about nothing other than the textures created on the surfaces.

White on White No. 2, 2000

White on White No. 3, 2000

Monday, October 27, 2008

GenerousAdventure.com ... Check it out!


In addition to all my creative work, I am also a yoga teacher with over 500 hours of teacher training and 9 years’ experience as a yoga practitioner. I’m trying to expand my ability to share my yoga knowledge with others, so I finally put up a website to promote my services.

Click here to see the new site: Generous Adventure

I specialize in teaching private yoga sessions in Grand Junction and Fruita, Colorado, with individuals and groups of family, friends, and co-workers. I’m pleased to make house calls and/or teach groups at your home, place of business, or church. I especially enjoy working to enhance your personal level of health by focusing on your individual strengths and opportunities for growth.

Some Therapeutic Benefits of Yoga:

Relieves fatigue and boosts energy levels
Enhances recovery from illness
Reduces the effects of stress
Improves focus, concentration, and mood
Alleviates insomnia
Improves circulation
Corrects bad posture
Improves breathing capacity
Rehabilitates after injury
Relieves musculoskeletal pain
Spiritual, intellectual, and creative energies are released

Sunday, October 26, 2008

Word of the Week — IRONY

Handmade necklace by Joana Nossa.

Each week, I close my eyes and choose a random word from the dictionary. I then do an image search for that word online, and choose some of the most interesting, unusual, and unexpected results to share with you.

I don’t know how this is ironic, but it showed up in my search results and it’s weird.

Calligaris “Irony” dining chairs.

Satellite image of wildfires in California.

Friday, October 24, 2008

My Small Drawings

For Victoria, 6x6 inches, 2005. Graphite, colored pencil, and ink on mylar.

A Friend, 9x6 inches, 2005. Graphite and ink on mylar.

These are two of my favorite small drawings I did in 2005. After seeing Yellena James’ work, I’m definitely going to take another look at the smaller format. Stay tuned!