White on White

White on White No. 1, 2000

Here are some studies I worked on as I was formulating my current painting process. I love surfaces that bubble up and grow out of the flatness of a page or canvas. I wanted to create a surface that really augments the highlights and shadows created by light, without pigment, just white on white. Recently I've been doing a lot of these with bright colors, but I have plans to revisit the low contrast palettes that are about nothing other than the textures created on the surfaces.

White on White No. 2, 2000

White on White No. 3, 2000