ABOUT DANIELLE FOUSHEE

I am an artist. This website features my work and highlights some of the varied
inspirations that inform my creative practice. Read more about me here.

Check out my facebook page or follow me on twitter at
@ArtistDFoushee.
Showing posts with label Inspiring Artist. Show all posts
Showing posts with label Inspiring Artist. Show all posts

Wednesday, July 16, 2014

Wednesday, March 19, 2014

Inspiring Artist: Bronwyn Oliver




Bronwyn Oliver was an Australian #sculptor. Her lovely, intricate globes and organic shapes make me want to get back in the shop!

 

Sunday, March 16, 2014

Inspiring Artist: Ruth Asawa




Ruth Asawa's delicate-looking metal #sculptures are tugging at my heart-strings today. I love this dichotomy between a material as seemingly immutable as metal and her intricate, lacy forms that exude a sense of fragility.

 


Saturday, March 8, 2014

Inspiring Artist: Danae Stratou




Desert Breath is a stunning earth work in Egypt, completed in 1997 by artist @DanaeStratou and her team. It’s pretty much just displaced sand piled into a spiraling pattern on the desert floor. What’s fascinating and surprising is that it has remained intact almost 20 years after it’s completion.

I’ve lived in the American Southwest and also in the Northwest — one desert environment, and one mostly forest and water. It’s interesting how time affects each of these types of landscapes differently. It moves so much slower in the desert. Human marks can last decades, even centuries. But in the forest, all that extra water allows nature’s processes of decay and growth to happen much faster. Human imprints can be wiped out in a much shorter timeframe.

 

Friday, March 7, 2014

Inspiring Artist: Jang Yong Sun




Sometimes you’re just working away on your own stuff, and all of a sudden you come upon another artist who is doing exactly what you’ve got in your head.

I spent a bunch of hours earlier this week slicing pipe so that I could create a honeycomb-like pattern and weld together a hollow, steel sphere.

And then this morning, I came across Jang Yong Sun's work. Un-flipping-believable! It's so fantastic, I think my eyes might just tear up a bit.

You’ll find me in working at my welding table this weekend!

 

Friday, February 28, 2014

Clare Leighton. Depression Era Wood Engraver and Printer





Clare Leighton. Depression era wood engraver and printer. Her depictions of urban poverty and desperation are contrasted by other images that reflect a nostalgia for farm life.
 

Tuesday, February 25, 2014

Grant Mudford’s American Landscapes





Grant Mudford's #photographs of the #American #landscape have captured my attention today. These images illustrate the residue of human intervention on the land. In some ways its as if the native landscape ceases to exist. If there's nature in the photo at all, it's relegated to the margins and the background.

These images aren’t joyous — I get a sense of melancholy, maybe a touch of nihilism. I think the symmetry and geometric formal qualities in these three photographs enhance those feelings. The artifacts depicted in these landscapes are monumental, almost bigger than life, but they seem deserted, unloved, left behind.

I always say that people are like rats. We populate a space and make huge messes; in a way we’re nesting I guess. Then, when the mess becomes intolerable, we move on to someplace else. Now that we’ve pretty-much taken over any habitable place on the planet (and some uninhabitable ones too), we don’t have anywhere else to go. What happens now? I don’t know.

1 note

Sunday, February 23, 2014

Rain at Night



This is what I have heard

at last the wind in December
lashing the old trees with rain
unseen rain racing along the tiles
under the moon
wind rising and falling
wind with many clouds
trees in the night wind

after an age of leaves and feathers
someone dead
thought of this mountain as money
and cut the trees
that were here in the wind
in the rain at night
it is hard to say it
but they cut the sacred 'ohias then
the sacred koas then
the sandalwood and the halas
holding aloft their green fires
and somebody dead turned cattle loose
among the stumps until killing time

but the trees have risen one more time
and the night wind makes them sound
like the sea that is yet unknown
the black clouds race over the moon
the rain is falling on the last place

—W.S. Merwin, from The Rain in the Trees, 1988
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Monday, February 10, 2014

American Landscape Painting in the 1800s



I’ve been reading a lot about Americans’ attitudes towards landscape/nature over the past 200-ish years. In the 1700’s it seems that painting landscape just wasn’t something that was considered acceptable. It wasn’t until the very late 1700’s that Americans realized that they had something uniquely different from Europe, and they began to (sort-of) celebrate it.
Romanticism was in its heyday during the first half of the 19th Century, and the paintings pictured above were created during this time. Many artists during this time wanted to celebrate pastoral nature, the agrarian landscape, evidence of the people’s control over the land for production purposes. They weren’t quite ready, it seems, to depict full-blown wilderness in a positive light, as it was still dangerous and frightening. In these images, we see lots of human activity on the fringes between wilderness and civilization.
Urban development was looked down upon as well as wilderness. The rural farm life was seen as the most virtuous. Cities and industry were depicted far in the distance, with these pastoral and leisurely images in the foregrounds. Picnics and farms were common subjects during this era.


Wednesday, January 29, 2014

Ellen Sollod: Studio Visit





Ellen Sollod is an amazing, thoughtful, and generous Seattle #artist. I had a fantastic studio visit and lunch with her today! Learned all about the trials and tribulations of working in the world of public art.

#publicart #studiovisit
 

Saturday, September 28, 2013

Harry Dodge at Henry Art Museum


Last night Matt and I went to see an art talk with Harriet “Harry” Dodge at Henry Art Gallery in Seattle. I was super inspired!

Still shot from the video.

We saw a hilarious video called The Ass and the Lapdog that tackled issues of language — the ways we describe images with words to create materiality in the minds of others. And body language is so essential. The stories each character describes are so vivid and funny, so strange and surreal. Imagination is key for both the story teller and the listener.


I would love to have Harry come as a visiting artist at PNCA next summer... So smart, thoughtful, funny, and insightful. I love all the different media at play in these explorations of language and imagination.