ABOUT DANIELLE FOUSHEE

I am an artist. This website features my work and highlights some of the varied
inspirations that inform my creative practice. Read more about me here.

Check out my facebook page or follow me on twitter at
@ArtistDFoushee.

Sunday, April 27, 2014

Saturday, April 26, 2014

Waiting Around in Tacoma




I had to drive down to Tacoma yesterday to pick up some giant cardboard sheets for my next gallery installation. I took these images while I was waiting for the forklift guy to bring my order around.

A couple weeks ago I was talking to the photo tech at UW about my camera setup and the struggles I’ve been having learning the Nikon D800 — especially the fact that a lot of my photos come out slightly blurry. I know the standard rule of thumb is 1/60 shutter for handheld shots, but he told me the D800 is much more sensitive than that. I tried these images at 1/80. They look fine low res on screen, but I think even 1/80 is too slow for the D800. Next I’ll move up to 1/100 and see if I can get crisper images on that setting.

Wednesday, April 23, 2014

Today’s Artist Statement


My current work maps weight and time in relation to place and space. I use a variety of materials like string, flagging tape, paper, cardboard, liquid, glass, steel, and rock to make my mark. Each location where I create my installations is chosen carefully. I consciously sense a place through the act of meditation and living with it. The work I make is in response to the one-of-a-kind relationship I'm experiencing with each place at that moment. Once an intervention is complete, it is quickly removed. It becomes a memory of a relationship shared with the place itself.

The idea of "place" is important — what are the qualities of a location that make a person feel grounded? What is home? How big is it? How transient is this feeling—the feeling of belonging and of being a part of something bigger than oneself? I believe that having a sense of place is impermanent. The old cliché holds a lot of truth: "You can never go back home." But I also believe that it's possible to nurture, appreciate, and underscore these fleeting experiences. I do this with my art-making practice. 

Thursday, April 17, 2014

A Rainy Day in the Seattle Suburbs




It’s a rainy day in the Seattle suburbs, but at least the birds are singing.

Friday, April 11, 2014

Signal Fire Residency: Campfires




These are some of my favorite fire images from my residency in Arizona with Signal Fire. A couple years ago, I started taking photos of our campfires. Now, I’m reenergized to continue this series.

Deer Creek Canyon, Mazatzal Wilderness, Tonto National Forest, Arizona


Monday, April 7, 2014

Signal Fire Residency: Water




Here are some more images from my residency with Signal Fire. It occurs to me that the work from this residency revolves quite naturally around themes of nature: earth, water, fire. Look in earlier posts for earth, and stay tuned for fire images to come soon!

Mazatzal Wilderness, Tonto National Forest, Arizona


Sunday, March 30, 2014

Signal Fire Residency: Cairn Village




I just returned from a week backpacking in the Arizona wilderness. I was on a residency with Signal Fire, a fantastic organization that takes artists into the wild to think about the relationships between art and nature and landscape.
Each day, one participant led a “deep play” exercise for the group. When it was my turn, I invited everyone to collaborate to create a cairn village in the riverbed. The whole process was meditative and mindful. We worked in silence, and then surveyed our work.

In the spirit of “leave no trace”, I tore it down once I got the photos. I was conflicted, because despite the ideal of leaving no trace I’m drawn to the comfort that cairns bring. A cairn represents other human interaction, coming upon one indicates that I’m not lost. Even though I might be the only person for miles, there is a kind of conversation that happens through cairns between strangers and over time. There’s something really special about that relationship.

Stay tuned for more images to come.

Mazatzal Wilderness, Tonto National Forest, Arizona, USA

Thursday, March 20, 2014

Getting the Hang of the D800




I’m making a little progress learning the ins and outs of the D800. I have some good models to practice on!

1 note

Wednesday, March 19, 2014

Inspiring Artist: Bronwyn Oliver




Bronwyn Oliver was an Australian #sculptor. Her lovely, intricate globes and organic shapes make me want to get back in the shop!

 

Monday, March 17, 2014

My Dog, Running with a Stick




I love this photo of my #dog, Kala! She loves her morning run/walk.

 

Sunday, March 16, 2014

Inspiring Artist: Ruth Asawa




Ruth Asawa's delicate-looking metal #sculptures are tugging at my heart-strings today. I love this dichotomy between a material as seemingly immutable as metal and her intricate, lacy forms that exude a sense of fragility.