ABOUT DANIELLE FOUSHEE

I am an artist. This website features my work and highlights some of the varied
inspirations that inform my creative practice. Read more about me here.

Check out my facebook page or follow me on twitter at
@ArtistDFoushee.
Showing posts with label PNCA. Show all posts
Showing posts with label PNCA. Show all posts

Sunday, November 10, 2013

The Drawing that Makes Itself — Variation 07


Here are some more images from my recent series of Drawings That Make Themselves in the Sierra National Forest in California. That granite is such a great substrate for the drawings. I would love to go back and do more of these drawings sometime.


Variation number 07 was about how the liquid transfers from one surface angle to another.


Friday, November 1, 2013

The Drawing that Makes Itself — Variation 06


For this variation, I decided to see how the drawing would look when I mix colors. Having all the extra liquid also created a much bigger drawing. I enjoyed the longer, more meditative process.


This is my favorite set from the Drawings That Make Themselves. I am really excited that they were chosen for the Tool at Hand PDX exhibition at The Museum of Contemporary Craft in Portland. Check out the images in person before the end of January 2014!

Saturday, August 3, 2013

Spending Time with Lee Kelly

 

This summer I joined the MFA in Visual Studies program at Pacific Northwest College of Art. It was an amazing experience — I can’t say enough good things about it. As part of our summer intensive, we had the opportunity to spend time with sculptor Lee Kelly (what a generous and amazing person), and to make our own work at his woodland property and sculpture garden.


I was so inspired by my visits there that I created two ephemeral installations. Each one took a day to install and remove. There's something profound about the idea that something/someone can be present to us one moment, and then gone the next. Like a fragile spiderweb that exists in nature, so do these pieces.


The web piece was suspended about waist-height. I moved through and between each strand as I built it, like a dance. The process of creating it became primary; more important than the finished installation. In fact, it took me over four hours to build it, and about ten minutes to destroy it.


This smaller piece was created earlier in the summer. I found a branch in the woods and used cotton twine wrapped around two trees to suspend the branch in mid-air. It occurs to me now that suspension and gravity are themes the recur often in my work.